Life Drawing Studies

A few life drawing studies using ink, pencil and charcoal.

Flick Book

Flick book
New book I created using stills from a short film I made recently. Each page when flicked shows the model thrashing and flailing, progressively getting more and more melodramatic.

Book

Hand-bound book I created using stills from a short film I created recently.

Special Announcement: Now selling art!

Hello you,

Interested in buying a piece from me? Well, great news: YOU CAN!

 I have started to sell art work through my flickr account featuring: framed and unframed work, original drawings, screen prints and oil paintings. Prices start from £1+ :)

Click: Meghan Quigley's Flickr Selling Page

Payment terms:

• I accept paypal or postal orders.
• I can post worldwide. Delivery prices from as little as £2.99 (depending on the size and weight)
• All pieces will come with personal information about me, the artist and the work you are buying.

Feel free to get in touch if you fancy a quote or even just a chat! I appreciate feedback :)

Framing

Framing some work today :)

This piece is a collage based on ladies fashion magazines, I have removed the female body to explore the haptic sensations associated with landscape scenery. I also wanted to explore the notion that the magazine itself is connected to a throw-away culture, one that flicks absent-mindedly and doesn't even need to see the body to know it is there.

Egon Shiele and his use of line

Meghan Quigley

Meghan Quigley

Egon Schiele

I have been making a lot of drawings recently and framing some work that I  have made previously. I love Egon Schiele, and recently I have been receiving a lot of comments that our styles are similar (which I'm very happy about!) I love the contrasting use of angular sharp and curved lines to depict the human form, as well as the controversial hyper-sexualisation. 

He has long since been an inspiration for my love of linear drawings and depicting the human form!

Hello,

I will be exhibiting work at the Festival of the Erotic Arts in Edinburgh (22nd - 24th June 2012), if you are in town, please pop down and have a look! Should definitely be an experience :)

Visit: their website for further details.

Hello again!

I will be exhibiting film work at the ICKLE FILM FEST  in Dundee (21st - 24th June 2012), you can check out their website for more details.

Work in progress in the studio.

Artist statement

Meghan Quigley

My practice concerns the mediation of images and the contextualisation of women in nature, focusing on both the production values behind images created in the media and the throw-away nature of the magazine. I am interested in the language used in advertising: the artificiality of staged performance, exaggeration of the mundane, hyperbolic gesture and the indulgence of colour and romantic ideals, in order to create a sensory experience that immerses the viewer. My interpretation of this becomes a recorded and exaggerated parody or un-mediated response in the video work highlighting the absurdity through repetition and exaggeration.                                                                                                            Removing the body becomes an exercise in removing the historic of women in nature; traces of the body remain and lend a haunting quality. The viewer is free to use the space to re-imagine the scene and be transported into the mysterious, dream-like romance.  In this way, I explore and critique notions rooted in cultural perceptions of the body such as: landscape art historically, the ‘muse,’ the male gaze, the unidentified gaze, post-feminism and the human condition.                                                                                                                                               Female magazines fascinate me: you can flick through the material within five minutes and be satisfied. Piles and piles begin to collect in doctor’s waiting rooms; issues from December 1990 linger next to May 2012 - stacked and ready to be thumbed through by the next patient. Or they are left absentmindedly on planes or in train stations. They are dog-eared, ripped, pages that have captured the reader’s imagination torn out, embossed with coffee cup stains, faces scribbled over, items circled, phone numbers jotted onto the cover, set down and forgotten. The images are absorbed quickly and disregarded just as quick; the text is ignored, almost irrelevant in the wake of consuming as many images as possible and yet the reader keeps flicking.

                Despite this, the expense and effort required to create one single page in a magazine like Vogue is overwhelming, I wanted to try and understand the absurdity behind the creation of these images that are destined to end up in the bin or forgotten. By examining the process of engineering the images, i attempt to catalogue and identity the visual code required to entice the viewer. It becomes largely a  precise, perfunctory process, far removed from the alluring, romantic imagery - post production will spend hours editing each individual pixel on their screen, even the smallest and most mundane of plants hidden in the background is given as much weight and attention as a model.  

Found imagery and paint

A4

Jan 2012